We enjoyed our trip to the Area 8 Festival in Omaha!

The last time we’d been in Omaha was for the River City Radical Ring in 2013. We were very happy to be invited back to direct, perform and teach at the 2018 event. Besides, what’s not to love about a 600-mile road-trip?

Lots of driving!

The journey from Holland, Michigan took us more than ten hours, and we were glad we’d decided to travel the day before the festival! We arrived in Omaha in plenty of time to enjoy an evening concert by Rezound! Handbell Ensemble before settling in for the night.

Music and classes at the Bring It! Ring It! festival

The festival began on Thursday. Larry was looking forward to directing the BronzeFest ensemble, preparing for a Saturday afternoon concert. The chosen pieces for BronzeFest were: Festival Sanctus (Cathy Moklebust), Elysium (Susan T. Nelson), Rescue (Larry Sue), Sympatico (Jason Krug), Song of the Flowers (Kevin Mazimas Ko), The Final Crossing (Larry Sue) and A Minor Crash (Larry Sue).

With repertoire like that, there was work to do, but it was wonderful to see how well prepared the BronzeFest participants were. It meant that we could use our limited rehearsal time together to do more than just learn notes. Much progress was made between the first rehearsal on Thursday and the concert on Saturday.

The Area 8 Board of Directors had done a great job of organizing for festival participants to be able to attend a wide variety of classes in addition to rehearsals. There were classes with such titles as “Processionals”, “In-Depth Score Study”, “If Bells Grew on Trees” and “There’s More than One Way to Peel a Banana”. Carla taught several classes on British-Style Four-in-Hand Ringing, and Larry taught classes on Ringing Bass Bells and Bass Bell Layout.

A concert by Timbré from California

Thursday ended with a banquet for all festival participants, followed by a concert presented by Timbré, a lyrical percussion ensemble based in Southern California. Their program, entitled “She Dreams the Stars” featured poetry, live and electronic music, and dance, telling the story of a young woman on a journey of discovery. The show was entertaining and thought-provoking, the costumes were sparkly, and it was good to see our friends from Timbré again. Some of them had played handbells at our wedding in California back in 2012!

Our handbell duet concert

Friday was the day of our own 8-bell duet concert. We’d chosen some of our favourite pieces from the repertoire we’d used for the opening concert at the Area 5 Festival on Mackinac Island earlier this year.

The pieces we played were: Creator of the Stars of Night, Holy Manna, Immortal, Invisible, God Only Wise, What Child Is This, Sakura, I Vow to Thee, My Country, Calliope House and To God Be the Glory – all arranged by Larry Sue, and all using only 8 bells each (but not necessarily the same eight!) We appreciated the kind and positive comments we received after our concert. It was interesting to find that there were many people who hadn’t previously imagined that so much music could be made using so few bells!

Showcase concerts

On Friday afternoon, we enjoyed a showcase concert – by Des Moines Concert Handbells (directed by Patrick Gagnon) and A Lovely Shade of Blue Handbell Duet. Lauren and Eric are skilled musicians, and most of their pieces used three octaves of bells. However, their first piece was our 8-bell arrangement of Angus MacDonald’s lively slip jig Chloe’s Passion. Our only regret from the festival is that we didn’t find a few spare moments to try playing it together as a double duet!

Adventures in 8-bell music!

Saturday was the final day of the festival. Our day started at the ridiculously early time of 8:00am, so we needed coffee for our “Adventures in Eight-Bell Music” class! We enjoyed introducing people to the idea that it’s not always necessary to use dozens of bells to make music that’s worth listening to.

We enjoyed a HymnFest presented by River City Ringers, directed by Joyce Miller. The group had commissioned a piece from Cathy Moklebust in Joyce’s honor, and had somehow managed to rehearse it in secret. What a wonderful surprise that turned out to be!

After one more rehearsal, it was time for the BronzeFest concert, which was so much fun! All seven pieces went well, and we think (hope!) everyone enjoyed the experience. Here’s a recording of the final piece in the program – Larry’s original composition A Minor Crash:

Special thanks go to Alex Guebert for writing and playing a cajon part for A Minor Crash, and to Lily Acatina, who stepped in at the last minute to sight-read the trumpet part in The Final Crossing on keyboard. Both these musicians are members of Timbré, and we appreciated their willingness to share their talent at short notice.

The final festival concert

After the BronzeFest concert, we had just one more class each to teach, then we were free to relax at the Festival Concert, directed by Tim Waugh and Barbara Meinke. The festival participants performed a varied concert of music ranging from O Worship the King (Michael Mazzatenta) to the Sesame Street Theme (Michael Glasgow) – and we enjoyed it all! The concert was accompanied by the buzzing of various audience members’ phones, as flash-flood warnings appeared and thunder rumbled overhead! We finished the evening with a reception and an opportunity to catch up with some of the friends we hadn’t seen for a while – including Tim Waugh. He and Carla had previously met at a handbell event in England in 2009!

Thanks to everyone involved!

Our thanks go to the Handbell Musicians of America Area 8 Board for inviting us to be part of this wonderful event. Thanks also to everyone who participated in the BronzeFest Ensemble or attended our classes. We felt very welcome as visitors to HMA Area 8. We hope we won’t have to wait another five years before we make it to Nebraska again!