We had lots of fun with the Area 8 BronzeFest choir at the “Bring It! Ring It!” Festival in Omaha, Nebraska. One of the highlights, for us, was having the opportunity to hear three of Larry’s original handbell compositions performed live; two of them for the first time ever!
Our thanks go to the members of the HMA Area 8 BronzeFest Ensemble for all the hard work they put in before the event, so that we could make the most of our limited rehearsal time together. Here are the three original compositions that were performed at the concert:
This piece was inspired by a certain sign that we used to drive past when we were living in California, and it’s fun to play! It’s not crazy-difficult either; the rhythms are easy to pick up, and everyone seemed to enjoy it – including the bass ringers! The cajon part was written and performed by Alex Guebert.
“Rescue does not occur only through great violence and clamor; sometimes it is a candle seen from the midst of terrible darkness”.
Larry wrote this piece fairly recently, and dedicated it to Carla. We didn’t manage to get a recording from the BronzeFest concert performance, but this “work in progress” rehearsal video will give you a good idea of how it sounds. This sensitive piece was well received at its first performance, and the sheet music is now available from Choraegus.
This piece was written in 2015, for the Siskiyou Summit Handbell Conference in Ashland, Oregon, where it received its first performance. There should have been a recording of that performance, but between us we failed to make it happen. Carla pushed the “on” button on the video recorder five minutes before the performance, to make sure it didn’t get forgotten. A minute before the performance, Larry pushed the “on” button, effectively turning off the camera and making sure that there would be no recording. Booooo.
Anyway, we also failed to get a recording from the Area 8 BronzeFest concert. We did manage to get a video of one of the rehearsals, though. There were a few glitches, but you’ll get the idea. Thanks to Lily Acatina, who stepped in to sight-read the trumpet part on keyboard at this rehearsal.
This piece is also available for purchase and download from Choraegus.
BronzeFest at the HMA Area 8 Festival in Omaha, Nebraska – June 2018
We enjoyed our trip to the Area 8 Festival in Omaha!
The last time we’d been in Omaha was for the River City Radical Ring in 2013. We were very happy to be invited back to direct, perform and teach at the 2018 event. Besides, what’s not to love about a 600-mile road-trip?
Larry just loves a road trip!
Lots of driving!
The journey from Holland, Michigan took us more than ten hours, and we were glad we’d decided to travel the day before the festival! We arrived in Omaha in plenty of time to enjoy an evening concert by Rezound! Handbell Ensemble before settling in for the night.
We made it to Omaha!
Music and classes at the Bring It! Ring It! festival
The festival began on Thursday. Larry was looking forward to directing the BronzeFest ensemble, preparing for a Saturday afternoon concert. The chosen pieces for BronzeFest were: Festival Sanctus (Cathy Moklebust), Elysium (Susan T. Nelson), Rescue (Larry Sue), Sympatico (Jason Krug), Song of the Flowers (Kevin Mazimas Ko), The Final Crossing (Larry Sue) and A Minor Crash (Larry Sue).
With repertoire like that, there was work to do, but it was wonderful to see how well prepared the BronzeFest participants were. It meant that we could use our limited rehearsal time together to do more than just learn notes. Much progress was made between the first rehearsal on Thursday and the concert on Saturday.
The Area 8 Board of Directors had done a great job of organizing for festival participants to be able to attend a wide variety of classes in addition to rehearsals. There were classes with such titles as “Processionals”, “In-Depth Score Study”, “If Bells Grew on Trees” and “There’s More than One Way to Peel a Banana”. Carla taught several classes on British-Style Four-in-Hand Ringing, and Larry taught classes on Ringing Bass Bells and Bass Bell Layout.
One of Larry’s Bass Handbell Techniques classes
A concert by Timbré from California
Thursday ended with a banquet for all festival participants, followed by a concert presented by Timbré, a lyrical percussion ensemble based in Southern California. Their program, entitled “She Dreams the Stars” featured poetry, live and electronic music, and dance, telling the story of a young woman on a journey of discovery. The show was entertaining and thought-provoking, the costumes were sparkly, and it was good to see our friends from Timbré again. Some of them had played handbells at our wedding in California back in 2012!
Timbré – She Dreams the Stars
Our handbell duet concert
Friday was the day of our own 8-bell duet concert. We’d chosen some of our favourite pieces from the repertoire we’d used for the opening concert at the Area 5 Festival on Mackinac Island earlier this year.
Our 8-Bell Duet Concert at the Area 8 festival
The pieces we played were: Creator of the Stars of Night, Holy Manna, Immortal, Invisible, God Only Wise, What Child Is This, Sakura, I Vow to Thee, My Country, Calliope House and To God Be the Glory – all arranged by Larry Sue, and all using only 8 bells each (but not necessarily the same eight!) We appreciated the kind and positive comments we received after our concert. It was interesting to find that there were many people who hadn’t previously imagined that so much music could be made using so few bells!
Showcase concerts
On Friday afternoon, we enjoyed a showcase concert – by Des Moines Concert Handbells (directed by Patrick Gagnon) and A Lovely Shade of Blue Handbell Duet. Lauren and Eric are skilled musicians, and most of their pieces used three octaves of bells. However, their first piece was our 8-bell arrangement of Angus MacDonald’s lively slip jig Chloe’s Passion. Our only regret from the festival is that we didn’t find a few spare moments to try playing it together as a double duet!
Yay! Two handbell duos in the same place!
Adventures in 8-bell music!
Saturday was the final day of the festival. Our day started at the ridiculously early time of 8:00am, so we needed coffee for our “Adventures in Eight-Bell Music” class! We enjoyed introducing people to the idea that it’s not always necessary to use dozens of bells to make music that’s worth listening to.
Larry directs a read-through of “Kingsfold” at our 8-Bell Music class on Saturday morning
We enjoyed a HymnFest presented by River City Ringers, directed by Joyce Miller. The group had commissioned a piece from Cathy Moklebust in Joyce’s honor, and had somehow managed to rehearse it in secret. What a wonderful surprise that turned out to be!
After one more rehearsal, it was time for the BronzeFest concert, which was so much fun! All seven pieces went well, and we think (hope!) everyone enjoyed the experience. Here’s a recording of the final piece in the program – Larry’s original composition A Minor Crash:
Special thanks go to Alex Guebert for writing and playing a cajon part for A Minor Crash, and to Lily Acatina, who stepped in at the last minute to sight-read the trumpet part in The Final Crossing on keyboard. Both these musicians are members of Timbré, and we appreciated their willingness to share their talent at short notice.
The final festival concert
After the BronzeFest concert, we had just one more class each to teach, then we were free to relax at the Festival Concert, directed by Tim Waugh and Barbara Meinke. The festival participants performed a varied concert of music ranging from O Worship the King (Michael Mazzatenta) to the Sesame Street Theme (Michael Glasgow) – and we enjoyed it all! The concert was accompanied by the buzzing of various audience members’ phones, as flash-flood warnings appeared and thunder rumbled overhead! We finished the evening with a reception and an opportunity to catch up with some of the friends we hadn’t seen for a while – including Tim Waugh. He and Carla had previously met at a handbell event in England in 2009!
With Tim Waugh at the end of the festival
Thanks to everyone involved!
Our thanks go to the Handbell Musicians of America Area 8 Board for inviting us to be part of this wonderful event. Thanks also to everyone who participated in the BronzeFest Ensemble or attended our classes. We felt very welcome as visitors to HMA Area 8. We hope we won’t have to wait another five years before we make it to Nebraska again!
