October 22, 2020

Now the Green Blade Riseth / Sing We Now of Christmas – for 6 Handbells and Piano

Now the Green Blade Riseth is our latest 6-bell arrangement. We’ve been arranging and publishing small-group music since 2012 – i.e. before it was cool! One of our goals has always been to write music that’s challenging and interesting enough for skilled handbell musicians to want to play, even when only a very limited range of bells is used. When Larry had shoulder surgery and we started arranging music for just six bells, we wanted to continue this goal. Our latest 6-bell arrangement turned out to be one of the more-challenging pieces in that range. If you’re looking for something different and fun for Christmas or Easter, this piece might work for your group! After all, who doesn’t appreciate a 7/8 time signature? Wait. Don’t answer that.

A versatile arrangement – for Easter and Christmas!

The arrangement was originally written as Now the Green Blade Riseth, but we recorded it with a batch of Christmas music, with a red poinsettia on the music stand. Thus, it became Sing We Now of Christmas as well. One arrangement for two occasions!

As with all our 6-, 8-, 12- and 16-bell arrangements, there are no bell changes and no shared bells. There are no techniques that require tables or foam pads, so any of these arrangements could work for a socially-distant handbell ensemble. They’re also useful for performances where space is limited. Four-in-hand technique is not required; this 6-bell arrangement could also be played as a trio, with each ringer holding two bells.

If you’d like to play this piece, the sheet music is available to purchase, download and print from Choraegus, our music site. An mp3 accompaniment track is also available to purchase separately, for anyone who doesn’t have a pianist available, or wants to practise at home.

If you’d looking for an arrangement of this carol that doesn’t need piano accompaniment, we also have standard and “surprisingly easy” 8-bell arrangements available from Choraegus, and a 3-5 octave, level 3- arrangement for full handbell choir.

More information about Choraegus handbell music

Please note that sheet music from Choraegus is designed to be downloaded as PDFs. You’ll be responsible for printing your own music, and you won’t receive anything in the mail. Purchase of a 6-bell arrangement allows you to print and maintain up to three copies for your handbell group (plus the accompaniment score), and also gives permission for recording, broadcasting, live-streaming and sharing on video-sharing sites, church websites and social media. See our licensing agreement for full details. Please remember to mention the title and arranger of the piece on video-sharing sites and social media, and in any printed materials.

If you haven’t purchased music online from Choraegus before, you might like to look at our step-by-step guide. We designed this guide to help you navigate the purchase and download process in a (we hope!) stress-free way.

Any questions?

If you have any questions about our music, please start by reading our Frequently-Asked Questions. Please contact us if you don’t find the answers you need, and we’ll do what we can to help!

February 17, 2019

Kelvingrove – 2-3 Octave Handbell Music

Larry’s latest 2-3 octave handbell arrangement is the traditional Scottish tune Kelvingrove. This popular traditional melody was first published in The Harp of Kenfrewshire, a collection of songs published in Scotland around 1820. The author’s name is given as John Sim.

“Let us haste to Kelvin Grove, bonnie lassie, O,
Through its mazes let us rove, bonnie lassie, O:
Where the rose in all her pride,
Paints the hollow dingle side,
Where the midnight fairies glide, bonnie lassie, O.”

Kelvingrove as church music

In recent years, the Kelvingrove tune has become popular in churches, with the title Will You Come and Follow Me? (The Summons) and lyrics written in 1987 by John L. Bell and Graham A. Maule. Here’s a video by the Carillon Choir at Third Reformed Church of Holland, Michigan:

Would you like to play Kelvingrove?

This arrangement of Kelvingrove is for 2-3 octaves of handbells. If you’d like to play it, the sheet music is available to purchase from Choraegus.

If you haven’t purchased music from Choraegus before, we recommend reading our step-by-step guide. We designed this in an attempt to make the purchasing process as stress-free as possible!

Please note that Choraegus handbell music will come to you as a digital download; a PDF file. You’ll be responsible for printing your own sheet music, and you won’t receive anything in the mail. The advantage of having downloadable sheet music is not having to wait to receive it. You can make your purchase, print out the music, and be ready to start rehearsing with your handbell choir! For 2-3 octave handbell music, your purchase (pay once only) entitles you to print and maintain up to 15 copies for your group.

Any questions?

Please let us know if you have any questions, and we’ll be happy to help!

September 10, 2018

New 8-Bell Music for Advent and Christmas

The summer is ending (at least here in Michigan, anyway) and autumn is in the air. It’s the time of year when we start thinking about Christmas and holiday music – and we’re excited to be able to present some new eight-bell titles for this year!

Creator of the Stars of Night

This Advent hymn made it into our concert repertoire this year. We didn’t want to wait for Advent, so we performed it for the first time at the opening concert for the Handbell Musicians of America Area 5 spring festival on Mackinac Island. This hymn was originally written somewhere between the 7th and 9th centuries, and it works really well on handbells!

The Friendly Beasts

This melody first appeared in France in the 12th century, and was a very late addition to our Christmas performance repertoire last year; so late that we only had the opportunity to perform it once – at the Kerstmarkt (European-style Christmas market) in Downtown Holland. We’re looking forward to playing it more this holiday season!

The Cherry Tree Carol

If you’re looking for an unusual Christmas carol, this is a good one. It’s from Cornwall, England, from way back in Medieval times. It’s not difficult to play, and could also work well as a quartet piece.

Hoe lei dit Kendeke/Cold is this Little Child

Since we moved to Holland, Michigan, we’ve been having fun finding traditional Dutch melodies that can be played using just eight bells. This is a children’s carol that’s also sung in Belgium. It’s not difficult to play, and would also be particularly suitable for a quartet.

De Zak van Sinterklaas / Santa’s Bag

This is a cheery traditional Dutch Christmas song that’s been sung by many generations of children in The Netherlands. We found it during our search for Dutch music after moving from California to Holland!

Pat-a-Pan

This French carol was first published in 1720. It’s about the birth of Jesus, and the shepherds celebrating by playing flutes and drums. We don’t play either of those instruments, so here’s our handbell version:

It Came Upon the Midnight Clear

We published the US version of It Came Upon the Midnight Clear a while ago, but this version is the one more often heard/sung in the UK.

How Great Our Joy

This traditional German carol was unknown to us until we heard it for the first time in church last year. Our version for eight handbells is great for practising dynamics!

Go, Tell It on the Mountain

This popular spiritual is fun to play, particularly if you’re a fan of syncopation!

From Starry Skies Descending

This Italian carol, Tu Scendi Dalle Stelle, is fast becoming one of our favorite carols to play!

This year’s eight-bell Christmas music definitely seems to have quite an international flavour. Remember to check out the other Christmas and holiday titles for eight bells on our music site. There are also some 12-bell Christmas pieces and some new titles for full handbell choir too. We hope you’ll find something you’ll enjoy playing!

July 27, 2018

New Music for Handbells – I Vow To Thee, My Country

“I vow to thee my country, all earthly things above,
Entire and whole and perfect, the service of my love.
The love that asks no question, the love that stands the test,
That lays upon the altar the dearest and the best.
The love that never falters, the love that pays the price,
The love that makes undaunted the final sacrifice.

And there’s another country I’ve heard of long ago,
Most dear to them that love her, most great to them that know.
We may not count her armies, we may not see her king,
Her fortress is a faithful heart, her pride is suffering.
And soul by soul and silently her shining bounds increase,
And her ways are ways of gentleness and all her paths are peace.”

I Vow to Thee, My Country is a much-loved British patriotic hymn. Sir Cecil Spring Rice wrote the lyrics, and Gustav Holst set them to music. The melody is adapted from a section of Jupiter from Holst’s orchestral suite The Planets. Nowadays, you might recognise it as the hymn tune THAXTED.

A much-loved patriotic hymn

I Vow to Thee, My Country has strong associations with Remembrance Sunday. Its patriotic text has ensured that it remains popular today. It was sung at the funeral of Sir Winston Churchill in 1965, and at the wedding of the Prince and Princess of Wales in 1981. It was also sung at the funeral of the Princess of Wales in 1997, and at the memorial service ten years later. In 1982, Michael Perry wrote an alternative text for the THAXTED melody; O God Beyond All Praising.

We first performed our arrangement of I Vow to Thee, My Country on our last Sunday at Los Altos United Methodist Church, before we moved from California to Michigan. We played it in concert for the first time in Warner Robins, Georgia and again in concert at the Handbell Musicians of America Area 5 Festival on Mackinac Island, and at the recent Area 8 Festival in Omaha, Nebraska. It’s not the easiest of our 8-bell arrangements! The middle section took us a while to learn, and still has the ability to surprise us sometimes. Still, it’s been a fun challenge.

Would you like to play this piece?

If you’d like to play I Vow To Thee, My Country, the sheet music is available for purchase and download from Choraegus. If you haven’t bought music from Choraegus before, we recommend our step-by-step guide. Please also note that our music is designed to be downloaded for you to print at home. You won’t receive anything in the mail. Purchasing this 8-bell arrangement gives you permission to print up to 4 copies for your group; you only need to pay once.

Any questions?

If you have any questions, please check our Frequently-Asked Questions! If you don’t find the answer you’re looking for, please contact us, and we’ll be happy to help!

July 4, 2018

The 2018 HMA Area 8 Festival in Omaha, Nebraska

We enjoyed our trip to the Area 8 Festival in Omaha!

The last time we’d been in Omaha was for the River City Radical Ring in 2013. We were very happy to be invited back to direct, perform and teach at the 2018 event. Besides, what’s not to love about a 600-mile road-trip?

Larry on the way to Omaha — Larry just loves a road trip!

Lots of driving!

The journey from Holland, Michigan took us more than ten hours, and we were glad we’d decided to travel the day before the festival! We arrived in Omaha in plenty of time to enjoy an evening concert by Rezound! Handbell Ensemble before settling in for the night.

Area 8 Festival in Omaha — We made it to Omaha!

Music and classes at the Bring It! Ring It! festival

The festival began on Thursday. Larry was looking forward to directing the BronzeFest ensemble, preparing for a Saturday afternoon concert. The chosen pieces for BronzeFest were: Festival Sanctus (Cathy Moklebust), Elysium (Susan T. Nelson), Rescue (Larry Sue), Sympatico (Jason Krug), Song of the Flowers (Kevin Mazimas Ko), The Final Crossing (Larry Sue) and A Minor Crash (Larry Sue).

With repertoire like that, there was work to do, but it was wonderful to see how well prepared the BronzeFest participants were. It meant that we could use our limited rehearsal time together to do more than just learn notes. Much progress was made between the first rehearsal on Thursday and the concert on Saturday.

The Area 8 Board of Directors had done a great job of organizing for festival participants to be able to attend a wide variety of classes in addition to rehearsals. There were classes with such titles as “Processionals”, “In-Depth Score Study”, “If Bells Grew on Trees” and “There’s More than One Way to Peel a Banana”. Carla taught several classes on British-Style Four-in-Hand Ringing, and Larry taught classes on Ringing Bass Bells and Bass Bell Layout.

Area 8 Festival in Nebraska - bass ringing — One of Larry’s Bass Handbell Techniques classes

A concert by Timbré from California

Thursday ended with a banquet for all festival participants, followed by a concert presented by Timbré, a lyrical percussion ensemble based in Southern California. Their program, entitled “She Dreams the Stars” featured poetry, live and electronic music, and dance, telling the story of a young woman on a journey of discovery. The show was entertaining and thought-provoking, the costumes were sparkly, and it was good to see our friends from Timbré again. Some of them had played handbells at our wedding in California back in 2012!

Timbré - handbell concert — Timbré – She Dreams the Stars

Our handbell duet concert

Friday was the day of our own 8-bell duet concert. We’d chosen some of our favourite pieces from the repertoire we’d used for the opening concert at the Area 5 Festival on Mackinac Island earlier this year.

Larry and Carla handbell duo — Our 8-Bell Duet Concert at the Area 8 festival

The pieces we played were: Creator of the Stars of Night, Holy Manna, Immortal, Invisible, God Only Wise, What Child Is This, Sakura, I Vow to Thee, My Country, Calliope House and To God Be the Glory – all arranged by Larry Sue, and all using only 8 bells each (but not necessarily the same eight!) We appreciated the kind and positive comments we received after our concert. It was interesting to find that there were many people who hadn’t previously imagined that so much music could be made using so few bells!

Showcase concerts

On Friday afternoon, we enjoyed a showcase concert – by Des Moines Concert Handbells (directed by Patrick Gagnon) and A Lovely Shade of Blue Handbell Duet. Lauren and Eric are skilled musicians, and most of their pieces used three octaves of bells. However, their first piece was our 8-bell arrangement of Angus MacDonald’s lively slip jig Chloe’s Passion. Our only regret from the festival is that we didn’t find a few spare moments to try playing it together as a double duet!

Larry and Carla, A Lovely Shade of Blue — Yay! Two handbell duos in the same place!

Adventures in 8-bell music!

Saturday was the final day of the festival. Our day started at the ridiculously early time of 8:00am, so we needed coffee for our “Adventures in Eight-Bell Music” class! We enjoyed introducing people to the idea that it’s not always necessary to use dozens of bells to make music that’s worth listening to.

HMA Area 8 Festival - 8-bell music — Larry directs a read-through of “Kingsfold” at our 8-Bell Music class on Saturday morning

We enjoyed a HymnFest presented by River City Ringers, directed by Joyce Miller. The group had commissioned a piece from Cathy Moklebust in Joyce’s honor, and had somehow managed to rehearse it in secret. What a wonderful surprise that turned out to be!

After one more rehearsal, it was time for the BronzeFest concert, which was so much fun! All seven pieces went well, and we think (hope!) everyone enjoyed the experience. Here’s a recording of the final piece in the program – Larry’s original composition A Minor Crash:

Special thanks go to Alex Guebert for writing and playing a cajon part for A Minor Crash, and to Lily Acatina, who stepped in at the last minute to sight-read the trumpet part in The Final Crossing on keyboard. Both these musicians are members of Timbré, and we appreciated their willingness to share their talent at short notice.

The final festival concert

After the BronzeFest concert, we had just one more class each to teach, then we were free to relax at the Festival Concert, directed by Tim Waugh and Barbara Meinke. The festival participants performed a varied concert of music ranging from O Worship the King (Michael Mazzatenta) to the Sesame Street Theme (Michael Glasgow) – and we enjoyed it all! The concert was accompanied by the buzzing of various audience members’ phones, as flash-flood warnings appeared and thunder rumbled overhead! We finished the evening with a reception and an opportunity to catch up with some of the friends we hadn’t seen for a while – including Tim Waugh. He and Carla had previously met at a handbell event in England in 2009!

Larry and Carla with Tim Waugh at the Area 8 Festival in Nebraska — With Tim Waugh at the end of the festival

Thanks to everyone involved!

Our thanks go to the Handbell Musicians of America Area 8 Board for inviting us to be part of this wonderful event. Thanks also to everyone who participated in the BronzeFest Ensemble or attended our classes. We felt very welcome as visitors to HMA Area 8. We hope we won’t have to wait another five years before we make it to Nebraska again!

May 9, 2018

New Music for Handbells – Botany Bay

Here’s our latest 8-bell piece – Botany Bay!

“Farewell to old England for ever,
Farewell to my rum coes as well,
Farewell to the well-known Old Bailey
Where I used for to cut such a swell.

Botany Bay first became popular in theatre shows of the late 1800s, in London, England and Melbourne, Australia. However, its roots may be from an even earlier time! The song describes the period in the late 18th and 19th centuries, when many British convicts were deported to penal colonies in Australia. We have another 8-bell piece about this period of history – Moreton Bay.

How to get the sheet music for Botany Bay

If you’d like to play our arrangement of Botany Bay, the sheet music is available for purchase and download from Choraegus.

Please remember that Choraegus handbell music is designed to be downloaded. You’ll be responsible for printing the music at home, and you won’t receive anything in the mail. If you haven’t purchased music from Choraegus before, we recommend our step-by-step guide!

Purchasing this 8-bell piece entitles you to pay once, and print up to 4 copies for your group. See our licensing agreement for full details. Please don’t pay for more copies than you need!

Any questions?

If you have any questions about buying or playing Choraegus handbell music, we have some Frequently-Asked Questions that might help. If you don’t find the answers you need, please contact us!

February 13, 2018

New 12-Bell Music – Thou Hidden Source of Calm Repose

“Thou hidden source of calm repose,
thou all-sufficient love divine,
my help and refuge from my foes,
secure i am, if thou art mine:
and lo, from sin, and grief, and shame,
I hide me, Jesus, in thy name.”

This is an 18th century hymn by Charles Wesley. We hadn’t heard it until very recently! The tune is ST PETERSBURG. If you’re looking for an unusual hymn for your worship service, this could work well. It’s suitable for 3-6 ringers, and it’s available in two bell ranges – either C5-G6 or F5-C7.

Thanks to J.C for joining us for this recording during his recent visit to Michigan!

Would you like to play this arrangement?

Sheet music for this new 12-bell arrangement is available to purchase and download from Choraegus. You only need to pay once, and you can print up to 6 copies for your group.

We ask you to read our licensing agreement, and if you’re new to buying our music online, we recommend our step-by-step guide.

Any questions?

If you have any questions about buying or playing our music, you might like to check our Frequently-Asked Questions. If you don’t find the answers you’re looking for, please contact us and we’ll be happy to help!

January 26, 2018

Handbells and Musical Saw – an Interesting Collaboration!

Today we took an exciting look back at one of our adventures from last summer. We had an opportunity to collaborate with internationally acclaimed Natalia Paruz. the Saw Lady! Natalia is New York City musician who specialises in playing the musical saw. She’s well-known for her NY subway performances!

We were all in New York City to participate in a concert given by Campanelli Handbell Ensemble, who were visiting the USA on tour from their home country of Estonia. Natalia was playing her musical saw for the solo part in Susan T. Nelson’s beautiful “Elegy”. We were playing the handbell duet part in a brand new composition “Mu Süda Ärka Üles“. After rehearsing with Campanelli and their director Inna Lai, we still had some time before the concert. We decided to read through our eight-bell arrangement of “Amazing Grace” together. This is the result:

Somewhere in our archives, we have recordings of a couple more pieces we played that afternoon, and we’ll share those soon! We very much enjoyed our musical collaboration with Natalia, and hope that someday we’ll have the opportunity to do it again!

Musical saw and handbells! — With composer Susan T. Nelson and Natalia "Saw Lady" Paruz in NYC – July 2017

January 22, 2018

New Music for 12 Handbells – How Great Thou Art

Here’s our latest 12-bell piece – an arrangement of the popular hymn How Great Thou Art. Thanks to J.C, who came to visit us for a few days last month and was happy to play through some new stuff with us.

This piece proved to be fun to play, and came together surprisingly quickly. As with all our 12-bell pieces, we’ve made it available in two versions – one for the traditional twelve-bell range C5-G6, and one for F5-C7, so you can pick the one that suits your group.

How to get the sheet music

If you’d like to play How Great Thou Art, it’s available for purchase and download from Choraegus.

When you buy music from Choraegus, you’ll receive instructions to download the file as a PDF. That means you’ll be responsible for printing the music at home, and you won’t receive anything in the mail. Please read our licensing agreement for all the details. If you haven’t bought music from us before, you might like to read our step-by-step guide. We designed this to help make the purchase process stress-free!

Your payment gives you permission to print out up to 6 copies of this arrangement for your group. Don’t pay for more copies than you need!

Any questions?

If you have any questions about buying and playing our music, please contact us, and we’ll be happy to help!

September 11, 2017

Coronation and Triumphant Exultation is now on YouTube!

We’re excited to be able to share a video of the world premiere of Larry’s original composition Coronation and Triumphant Exultation. The video is from the 2017 Bay View Week of Handbells, here in Michigan.

The Week of Handbells is an annual event; always one of the highlights of our year. We’ve been attending together since 2010. The Thursday evening concert is always an exciting experience. The musicians work hard for months beforehand, and it’s a thrilling concert to be part of. This video is part of the full concert recording by Pierpont Productions.

Would you like to play this piece?

Coronation and Triumphant Exultation (Crùnadh agus Iolach) is published by AGEHR Publishing (AG58002). It’s for 5-8 octaves of handbells, and optional 5 octaves of handchimes.

This piece is the 2017 Donald E. Allured Original Composition Award piece. Larry dedicated the piece to Maestro Carl Wiltse, who directed the Bay View Week of Handbells for fifteen years. Here’s a photo of us with Carl. Yes, he’s a lot taller than we are!