Now that we have more time together at home, we decided to try recording another full-choir piece with just the two of us. We decided on Newness – one of Larry’s original compositions – as our second recording project. We didn’t have 5 octaves of handbells at home, so we played the 3-octave version.
As with All Praise to Thee, for Thou, O King Divine, this was a read-through, rather than a practised performance. It’s pretty much all there, but we didn’t practise beforehand, and didn’t work on expression or dynamics. Still, you should get a reasonable idea of how the piece is meant to sound.
This is another arrangement that needs no bell-sharing between ringers. If your handbell choir is observing social distancing, and playing from spaced-apart tables, this piece could work well!
More information about the music
Newness is an original composition written for 3 or 5 octaves of handbells, with 2 octaves of (optional) chimes. The sheet music is available to download from Choraegus.
Choraegus handbell music is designed to be downloaded as a PDF file. That means you’ll be responsible for printing your own music, and you won’t receive anything in the mail. When you’ve downloaded your music, your one-time payment entitles you to print out up to 15 copies for your group. Please read our licensing agreement for full information. If you’re new to buying music from Choraegus, we recommend our step-by-step guide!
Any questions?
If you have any questions about buying or playing our music, please look at the Frequently-Asked Questions first. If you don’t find the answers you need, please contact us and we’ll be happy to help.
From time to time, people ask us if we have any handbell music for Halloween. It’s that spooky time of year again, so here’s something new. It’s our 8-bell arrangement of Funeral Tango.
This piece originally began life as one of the Low Ding Zone arrangements for bass handbell ensemble. A short while ago, we decided we wanted to be able to play it as an 8-bell duet. We have absolutely no idea if it will ever be a performance piece – and 2020 is clearly not going to be an appropriate year for that. Still, it’s fun to play, and Halloween is probably the only suitable time for us to introduce this arrangement. Ready? Here it is!
Feeling spooky enough to play this piece?
If you’d like to play Funeral Tango, the sheet music is available to purchase, download and print from Choraegus. Purchasing this arrangement gives you permission to print and maintain up to four copies for your handbell ensemble – so you only need to pay once. Purchase also gives permission for performance, broadcasting, live-streaming and video-sharing online. See our licensing agreement for full details. Please remember to mention the title and arranger of the piece on video-sharing sites, social media and any printed materials such as concert programs.
For more Halloween music, we also have an arrangement of The Spider Song (Incy Wincy Spider or Itsy Bitsy Spider, depending on your preference). Sheet music is available to download free of charge, from Choraegus.
Please note that our music is designed to be downloaded as PDFs, so you’ll be responsible for printing your own music, and you won’t receive anything in the mail.
If you haven’t purchased music online from Choraegus before, you might like to look at our step-by-step guide, designed to help you navigate the purchase and download process in a (we hope!) stress-free way.
Any questions for us?
If you have any questions about our music, please start by reading our Frequently-Asked Questions. Please contact us if you don’t find the answers you’re looking for, and we’ll do what we can to help!
We’re thrilled to be able to share this video of Larry’s original compositionA Minor Crash, recorded at the 2019 Bay View Week of Handbells concert. This piece is fun to play! You can even see some of the musicians dancing along, which is exciting to see at a handbell performance!
A Minor Crash is written for 5-8 octaves of handbells and optional handchimes. An additional cajón part is available. The cajón part is written by Alex Guebert, who also plays it in the concert video. It’s a Level 4 piece, with some interesting challenges for bass handbell enthusiasts. There’s also an alternative simplified section for less-adventurous performers!
Sheet music for A Minor Crash
If you’d like to play this piece, the sheet music is available to purchase, download and print from our music site, Choraegus.
Many thanks to Pierpont Productions
Our thanks go to Pierpont Productions, who graciously allowed us to share the video from the 2019 Bay View Week of Handbells concert. They make a wonderful recording of the Bay View handbell concert each year. CDs and videos of previous concerts are available. If you’d like one, contact us, and we’ll put you in touch!
It’s been over a week since we came back from our trip to the Petoskey area for our 10th year at the Bay View Week of Handbells. Life is getting back to normal, and we have lots of great memories from our tenth year at the event!
Bay View Week of Handbells is part of our history!
Taking part in the Bay View Week of Handbells has become a highlight of our year. We attended the event for the first time in August 2010, when we were still in our long-distance relationship. Carla flew to Chicago from England, Larry flew in from California. We met in person for the very first time, before taking the short flight to Traverse City together. Having only previously communicated in Facebook messages, it was exciting for us to spend time together in person, and to discover that we actually did like each other in “real life”, as well as online!
After another year apart, we met again at the 2011 Week of Handbells. We celebrated our engagement in Evelyn Hall at the Monday evening reception. The following year was a busy one for us as we dealt with the challenges of the U.S. fiancée visa process. Finally, we were able to close the distance in August 2012. We timed everything carefully, to coincide with that year’s Week of Handbells! Larry flew to England, then we flew back together from London to Chicago. Next, we flew to Traverse City, then drove to Bay View for the week of rehearsals and concert. After the event was over, we were able to take a flight to California and begin our life together.
Since then, we’ve participated in the Week of Handbells every August. The event is very special to us for many reasons. For a start, the standard of musicianship is very high. Participants are required to arrive at the event fully prepared. That means we can use the rehearsal time not to learn notes, but to work on expression, playing as a single ensemble, and the finer points of preparing for a concert to a high professional standard. It’s a lot of fun to work on challenging music under the baton of an experienced and highly-skilled director. It’s also good to know that the Thursday evening’s public concert will be enjoyed by so many people! Bay View has also given us the opportunity to meet with friends, and to make new ones, as handbell musicians arrive from many different cities to take part each year.
The years have gone quickly since our first experience of the Bay View Week of Handbells! We’ve been able to learn so much from participating in the event. Larry has played the aluminum bass handbells every year since 2010. He’s appreciated being part of the “Deep Pit” team; a group of five musicians who are highly skilled at playing these bells. Carla had another opportunity to be a Position Captain this year. She was responsible for supporting a team of ringers and starting early with preparing for the event. Together they worked out solutions and strategies for tricky passages in the music.
It’s been several years since we made our Big Move from California to Michigan. Now that we live in Holland, it takes us less than five hours to drive to Bay View. That’s been an advantage to us, because we’ve been able to make a few day-trips to Bay View outside of the Week of Handbells, just for the sheer joy of being there! We love being by the lake, and even going in the lake, as we hunt for Petoskey stones to bring home and polish. The Petoskey stone is the official Michigan State Stone. It’s a fossilised coral – Hexagonaria percarinata – that lived in the warm Michigan waters around 350 million years ago. Polishing Petoskey stones (using wet sandpaper) is the perfect activity for cold winter evenings at home in Holland!
We stayed in one of the pretty cottages on the Bay View campus again this year, and it’s wonderful to be close to the rehearsal venue. It’s fun to feel part of the Bay View community, even if it’s just for a short while. Bay View has some of the best sunsets we’ve ever seen. Besides, what other handbell event gives you the opportunity to finish a tiring day of rehearsals, and see scenes like these?
The concert on Thursday evening was exciting for us this year, particularly as we were performing one of Larry’s original compositions – A Minor Crash. Pierpont Video Productions made a professional recording of the concert, so we hope to have a video to share at some point in the near future! We chatted with one of the Bay View Association members on the day after the concert. He referred to Larry as “the Crash Guy”, which made us laugh! Other highlights of the concert repertoire were: Drive, an original composition by Alex Guebert, Beach Boys Medley, arranged by Linda Boatright, and Hart Morris’s challenging arrangement of I Got Rhythm.
Saying goodbye is easier these days
We’re always sorry to have to leave Bay View when the Week of Handbells is over. However, now that we live in Michigan, the goodbyes are slightly easier. We know that we’re only a few hours away, so there’s no longer any reason for us to wait a whole year to return!
As we put away this year’s Bay View music and start focusing on our duet performances for the upcoming season, we’ll be setting our hopes on being able to return to the Week of Handbells in August 2020!
Today is the first day of the 2019 Bay View Week of Handbells! We’ll be spending the next four days playing some beautiful, exciting and challenging music at the John M. Hall Auditorium in Bay View, Petoskey. More than a hundred handbell musicians will rehearse there together this week, under the direction of Fred Gramann.
You can find out more about this event, and why it will always hold a special place in our hearts, by reading our article about the Bay View Week of Handbells and taking a look at our gallery of photos. This year will be our 10th year at the Week of Handbells!
At the end of this week’s rehearsals, there will be a concert. It’s open to the public and free to attend. The concert will be held on Thursday, August 15th, 2019 at 7:30pm in the John M. Hall Auditorium, 1715 Encampment Ave., Petoskey, Michigan. An offering will be taken to benefit the Bay View Association Music Scholarship Fund.
We’re excited to be performing one of Larry’s original compositions this year!
This year’s concert repertoire:
Acclamation in G Minor by Karen Thompson
Through the Walk of Life by Matthew Compton
Songs in the Night by Sondra Tucker
A Glorious Everlasting Hallelujah Raise by Fred Gramann
We enjoyed the opportunity to share our handbell music with guests at the recent Great Lakes Regional Convention of the AGO. We demonstrated our duets at a reception hosted by Third Reformed Church here in Holland.
For anyone who came to the presentation for the American Guild of Organists (or missed it!), we thought it might be helpful to share some information here.
Handbell performances and workshops
Several people talked with us about our availability for duet performances. We can also work with individuals and church handbell choirs, either by attending a rehearsal, or leading a workshop session. We can help your ringers improve their basic technique or learn more advanced treble or bass skills. If you’re interested in booking us, please contact us and let us know the type of performance or workshop you’re interested in, your location, and when you’d like the performance to happen.
You can find more information about performances, workshops and our fees in the Book Us section of this website.
For beginning or less-experienced groups, and also for quartets, we recommend our Surprisingly Easy eight-bell pieces. Our 8-bell music can also be useful for small groups of ringers who want an extra challenge. It can work well for small groups who want to continue ringing through the summer when the choir is taking a break.
Music from Choraegus will come to you as a digital download; a PDF file with permission to make a certain number of copies for your group. You can find more information and all the “small print” in the licensing agreement, and we also recommend our step-by-step guide!
If you’d like to try our 8-bell music before you spend any money, you might like to check out some of our free arrangements. Also available for free are the binder cover sheets for our music, as shown on the music binders on display at the reception.
Information about Larry’s book on bass ringing
Larry’s book – The Bass Ringer’s Notebook – is available from Choraegus. This is not a digital download; it’s an actual book. We will lovingly package up a copy and send to you by mail when you’ve made your purchase.
Any questions?
Our thanks go to everyone who came to the reception at the Great Lakes Regional Convention of the AGO. Thanks to everyone who asked questions, and listened to our performance. Thanks also to the members of Third Reformed Church for their generous hospitality. If there’s anything we forgot to mention here, or you have any questions, please don’t hesitate to get in touch with us, and we’ll be happy to help!
In the last few weeks since his prostate cancer surgery, Larry hasn’t been sitting around idly doing nothing; well, not all the time, anyway. He’s been writing more handbell music!
He managed to sprain his ankle during a brief walk outside on an icy day, which didn’t do much to speed up his recovery. For that reason, we’ve been been getting through more seasons of Netflix shows than at any time in our history. Still, Larry has also been attending physical therapy sessions and doing as much exercise as his ankle will allow. In a few days’ time he’ll be going to his six-week post-surgery appointment. We hope the current restrictions on lifting (as in, certain handbells) will be removed. That would mean we could get back to some kind of a rehearsal schedule for our duets!
What’s Larry been writing?
Anyway, Larry’s not the kind of person who wants to spend lots of time in front of the TV, so he’s also been working on some new handbell music. There are a couple of new eight-bell arrangements, which we’ll be hoping to record and publish in the coming weeks, as well as several original compositions for full handbell choir. Click on any of the titles below for more information, as well as previews of the scores, and mp3s.
Handbell arrangements from the Living Water Project
Between 1989 and 2003, Larry directed a choir in California, and from there came the Living Water Composition Project. Larry’s recent exciting project has been to look back at some of these original choral songs and find some that might be reworked as handbell pieces! So far, we have the following new titles:
Home at Last The first of the LWCP pieces to be arranged for handbells, this is a Level 4+ piece for 5-8 octaves.
Emmaus This is the handbell/handchime version of the Living Water song about Jesus meeting two disciples on the Emmaus road. It’s a Level 4 arrangement for 5-7 octaves of bells and 3 octaves of handchimes.
You Must Trust This is a minor-key jazz piece that’s going to be fun to play! It’s Level 4, arranged for 5-7 octaves of handbells with percussion.
New hymn arrangements for handbells
Several hymn arrangements have been published in the last couple of weeks, with more to follow soon:
Jesus Shall Reign This new arrangement of the popular hymn has some different touches that will challenge your ringers. It’s Level 4, for 5-7 octaves of handbells.
Come Down, O Love Divine This beautiful hymn tune (DOWN AMPNEY) was written by Ralph Vaughan Williams. This new arrangement is Level 3-, scored for 3 or 5 octaves of handbells and 3 octaves of handchimes.
The Lord is My Shepherd This is an arrangement of the hymn tune POLAND. It was commissioned by our friend Caroline Harnly in honor of her mother. Caroline directs the San Francisco State University Handbell Choir. It’s a Level 3 arrangement for 4-5 octaves of handbells and 2 octaves of handchimes.
Give Me Jesus This new 12-bell arrangement is available in two versions; one for bells from C5 to G6 and the other for F5 to C7.
And now for something completely different…
Yes, We Have No Bananas For the adventurous bucket-slingers among you, this is a Low Ding Zone arrangement of the popular song by Frank Silver and Irving Cohn. It’s arranged for 7 less-than-sane bass ringers. This piece was originally written in 1923, so it entered the public domain this year, and we can now offer it for sale! You’ll need bells from G2 to D5, and chimes from Bb2 to C5, plus a shaker or other rhythm toy.
All of these new titles are available to purchase, download and print from Choraegus. If you’re buying our music online for the first time, we’d recommend that you read the Licensing Agreement and our step-by-step guide before making your purchase.
Any questions?
If you have any questions, try looking at the Frequently Asked Questions first. If you don’t find the answers you need, please contact us, and we’ll be happy to help.
Finally… thank you!
Thank you to everyone who’s been buying music from us. There’s so much great handbell music available these days, from so many places, so we truly appreciate your support!
We had lots of fun with the Area 8 BronzeFest choir at the “Bring It! Ring It!” Festival in Omaha, Nebraska. One of the highlights, for us, was having the opportunity to hear three of Larry’s original handbell compositions performed live; two of them for the first time ever!
Our thanks go to the members of the HMA Area 8 BronzeFest Ensemble for all the hard work they put in before the event, so that we could make the most of our limited rehearsal time together. Here are the three original compositions that were performed at the concert:
This piece was inspired by a certain sign that we used to drive past when we were living in California, and it’s fun to play! It’s not crazy-difficult either; the rhythms are easy to pick up, and everyone seemed to enjoy it – including the bass ringers! The cajon part was written and performed by Alex Guebert.
“Rescue does not occur only through great violence and clamor; sometimes it is a candle seen from the midst of terrible darkness”.
Larry wrote this piece fairly recently, and dedicated it to Carla. We didn’t manage to get a recording from the BronzeFest concert performance, but this “work in progress” rehearsal video will give you a good idea of how it sounds. This sensitive piece was well received at its first performance, and the sheet music is now available from Choraegus.
This piece was written in 2015, for the Siskiyou Summit Handbell Conference in Ashland, Oregon, where it received its first performance. There should have been a recording of that performance, but between us we failed to make it happen. Carla pushed the “on” button on the video recorder five minutes before the performance, to make sure it didn’t get forgotten. A minute before the performance, Larry pushed the “on” button, effectively turning off the camera and making sure that there would be no recording. Booooo.
Anyway, we also failed to get a recording from the Area 8 BronzeFest concert. We did manage to get a video of one of the rehearsals, though. There were a few glitches, but you’ll get the idea. Thanks to Lily Acatina, who stepped in to sight-read the trumpet part on keyboard at this rehearsal.
This piece is also available for purchase and download from Choraegus.
At the HMA Area 8 Festival in Omaha, we told lots of people: “You’ll find all that information on our website!” We’ve now put all the information together in one place, to make it easy to find.
Bass Handbell Techniques
If you were at Larry’s class on Bass Techniques, or Bass Layout/Teamwork, and you’d like to learn more, you can find out everything you need to know and more by reading The Bass Ringer’s Notebook. This book is available for purchase from Choraegus. If you order a copy, wherever you are, you’ll be able to hear us rejoicing here in Michigan. We’ll lovingly package up your book, and will make a special trip to the Post Office to mail it to you. Truly, we will appreciate you forever. If you missed Larry’s classes, maybe it’s even more important to buy his book!
British-Style Four in Hand Ringing
If you went to one of Carla’s British-Style Four-in-Hand classes, and your hands forgot everything the minute you left the room, or if you missed the classes but still have some curiosity about this strange alternative multiple bell technique – do not fear. You can find more information (with extra pictures) in this detailed article on our site. If you’re wondering where you can find that free download of Happy Birthday to practise your newfound skills without spending any money, you can find it here!
Adventures in 8-Bell Music
If you enjoyed our 8-bell music class on Saturday morning, or if you missed it and would like to know more, you can find lots of 8-bell music available for purchase from Choraegus. Please note that our sheet music is designed to be downloaded and printed out by YOU. We recommend reading our step-by-step guide to make the process easier. Don’t sit and wait for the music to arrive by mail, because it won’t reach you that way. Once you’ve purchased the music, you are allowed to print out a certain number of copies for your group. Don’t pay for more copies than you need!
Questions about anything in our classes?
If you have questions about anything you heard in any of our classes, or anything you wish we’d covered, or problems with any of the techniques we demonstrated, you’re always welcome to get in touch with us.
Our 8-Bell Duet Concert
Many of the pieces we performed at our lunchtime concert on Friday are available for purchase and download from Choraegus. A few of the pieces haven’t yet been published – for example Creator of the Stars of Night and Calliope House. However, we plan to make them all available before the end of this year. We’re hoping to get new Advent and Christmas pieces published by the end of August, once we’re back from our annual trip to the Bay View Week of Handbells.
We had so much fun at the HMA Area 8 festival! Several people asked us if we’re available for further concert performances, and events such as worship services and weddings. The answer is yes, we are, so if you’re interested in booking us for an event in the future, please contact us!
BronzeFest
We had a great time with the Area 8 BronzeFest Ensemble – Larry directing and Carla playing. Three of the pieces performed in the concert were original compositions written by Larry. You can find A Minor Crash, Rescue and The Final Crossing on our music site, along with many other compositions and arrangements for handbell choir. We’re also pleased to be able to present Susan T. Nelson’s beautiful Elysium, which was also performed by the BronzeFest Ensemble.
Any questions about our music?
If there’s anything you’d like to ask, please contact us, and we’ll be happy to help!
We enjoyed our trip to the Area 8 Festival in Omaha!
The last time we’d been in Omaha was for the River City Radical Ring in 2013. We were very happy to be invited back to direct, perform and teach at the 2018 event. Besides, what’s not to love about a 600-mile road-trip?
Lots of driving!
The journey from Holland, Michigan took us more than ten hours, and we were glad we’d decided to travel the day before the festival! We arrived in Omaha in plenty of time to enjoy an evening concert by Rezound! Handbell Ensemble before settling in for the night.
Music and classes at the Bring It! Ring It! festival
The festival began on Thursday. Larry was looking forward to directing the BronzeFest ensemble, preparing for a Saturday afternoon concert. The chosen pieces for BronzeFest were: Festival Sanctus (Cathy Moklebust), Elysium (Susan T. Nelson), Rescue (Larry Sue), Sympatico (Jason Krug), Song of the Flowers (Kevin Mazimas Ko), The Final Crossing (Larry Sue) and A Minor Crash (Larry Sue).
With repertoire like that, there was work to do, but it was wonderful to see how well prepared the BronzeFest participants were. It meant that we could use our limited rehearsal time together to do more than just learn notes. Much progress was made between the first rehearsal on Thursday and the concert on Saturday.
The Area 8 Board of Directors had done a great job of organizing for festival participants to be able to attend a wide variety of classes in addition to rehearsals. There were classes with such titles as “Processionals”, “In-Depth Score Study”, “If Bells Grew on Trees” and “There’s More than One Way to Peel a Banana”. Carla taught several classes on British-Style Four-in-Hand Ringing, and Larry taught classes on Ringing Bass Bells and Bass Bell Layout.
A concert by Timbré from California
Thursday ended with a banquet for all festival participants, followed by a concert presented by Timbré, a lyrical percussion ensemble based in Southern California. Their program, entitled “She Dreams the Stars” featured poetry, live and electronic music, and dance, telling the story of a young woman on a journey of discovery. The show was entertaining and thought-provoking, the costumes were sparkly, and it was good to see our friends from Timbré again. Some of them had played handbells at our wedding in California back in 2012!
Our handbell duet concert
Friday was the day of our own 8-bell duet concert. We’d chosen some of our favourite pieces from the repertoire we’d used for the opening concert at the Area 5 Festival on Mackinac Island earlier this year.
The pieces we played were: Creator of the Stars of Night, Holy Manna, Immortal, Invisible, God Only Wise, What Child Is This, Sakura, I Vow to Thee, My Country, Calliope House and To God Be the Glory – all arranged by Larry Sue, and all using only 8 bells each (but not necessarily the same eight!) We appreciated the kind and positive comments we received after our concert. It was interesting to find that there were many people who hadn’t previously imagined that so much music could be made using so few bells!
Showcase concerts
On Friday afternoon, we enjoyed a showcase concert – by Des Moines Concert Handbells (directed by Patrick Gagnon) and A Lovely Shade of Blue Handbell Duet. Lauren and Eric are skilled musicians, and most of their pieces used three octaves of bells. However, their first piece was our 8-bell arrangement of Angus MacDonald’s lively slip jig Chloe’s Passion. Our only regret from the festival is that we didn’t find a few spare moments to try playing it together as a double duet!
Adventures in 8-bell music!
Saturday was the final day of the festival. Our day started at the ridiculously early time of 8:00am, so we needed coffee for our “Adventures in Eight-Bell Music” class! We enjoyed introducing people to the idea that it’s not always necessary to use dozens of bells to make music that’s worth listening to.
We enjoyed a HymnFest presented by River City Ringers, directed by Joyce Miller. The group had commissioned a piece from Cathy Moklebust in Joyce’s honor, and had somehow managed to rehearse it in secret. What a wonderful surprise that turned out to be!
After one more rehearsal, it was time for the BronzeFest concert, which was so much fun! All seven pieces went well, and we think (hope!) everyone enjoyed the experience. Here’s a recording of the final piece in the program – Larry’s original composition A Minor Crash:
Special thanks go to Alex Guebert for writing and playing a cajon part for A Minor Crash, and to Lily Acatina, who stepped in at the last minute to sight-read the trumpet part in The Final Crossing on keyboard. Both these musicians are members of Timbré, and we appreciated their willingness to share their talent at short notice.
The final festival concert
After the BronzeFest concert, we had just one more class each to teach, then we were free to relax at the Festival Concert, directed by Tim Waugh and Barbara Meinke. The festival participants performed a varied concert of music ranging from O Worship the King (Michael Mazzatenta) to the Sesame Street Theme (Michael Glasgow) – and we enjoyed it all! The concert was accompanied by the buzzing of various audience members’ phones, as flash-flood warnings appeared and thunder rumbled overhead! We finished the evening with a reception and an opportunity to catch up with some of the friends we hadn’t seen for a while – including Tim Waugh. He and Carla had previously met at a handbell event in England in 2009!
Thanks to everyone involved!
Our thanks go to the Handbell Musicians of America Area 8 Board for inviting us to be part of this wonderful event. Thanks also to everyone who participated in the BronzeFest Ensemble or attended our classes. We felt very welcome as visitors to HMA Area 8. We hope we won’t have to wait another five years before we make it to Nebraska again!