If you were at these festivals, and you looked at sample copies of our 8-bell music, you might remember that our music binders looked like this:
Where to find these music binder covers
We’ve had several enquiries, so we decided to make these binder inserts available on our music site. If they’d be useful to you, you can download them free of charge from Choraegus.
We have Christmas/holiday and the-rest-of-the-year versions, for both our standard arrangements, and the surprisingly-easy versions too. Just pick the ones you need and download them, ready for printing.
Also in the Freebies section of our music site, you’ll find free scores to download for your handbell group. This free handbell music can be a great way to try out our 8-bell music without having to spend any money.
Let us know if you have more ideas!
If you have any other ideas for what you’d like to see available on Choraegus, please let us know. We’re always open to new ideas and suggestions!
We’re settling back into normal life after our trip to Petoskey for the 2018 Bay View Week of Handbells. We’ve unpacked our cases, and done the laundry. The only task that remains is to file away the music.
Our history with the Week of Handbells
The Bay View Week of Handbells has become an annual tradition for us. We attended for the first time in August 2010, when we were still in our long-distance relationship. Carla flew to Chicago from England, Larry flew in from California, and we met in person for the very first time before taking the short flight to Traverse City together. Our first Week of Handbells was an emotional and fun event. We met so many new friends there! Most importantly, we had the opportunity to find out how it felt to spend time together in the same place. It was a luxury we’d never had until then, having only previously communicated in an endless string of Facebook messages!
One of the first photos taken of us together! On our way to Mackinac Island, August 2010
When our first trip to Bay View was over, we were apart again for a whole year. We met again at the 2011 Week of Handbells, and celebrated our engagement at the Monday evening reception.
The following year was a busy one for us, as we dealt with the challenges of the U.S. fiancée visa process. Finally, we were able to close the distance in August 2012. We timed everything to coincide with that year’s Week of Handbells. Larry flew to England, then we flew back together from London to Chicago. Next, we traveled to Traverse City for the week of rehearsals and the Thursday evening concert. After the event was over, we were able to take a flight to California and begin our life together.
Since then, we’ve been fortunate to be able to continue to attend the Week of Handbells every year. Our journey there became even easier after we moved from California to Holland, Michigan in the summer of 2016. These days, instead of having to book flights, we can simply get in the car and drive for a few hours, and we’re there!
What’s special about the Bay View Week of Handbells?
Firstly (and because this ties in with the mission statement of the event – see footnote), the standard of ringing is very high. The whole idea is that musicians will prepare the music thoroughly in the months before the event. It means taking time to learn the notes, work out strategies and solutions for tricky passages, and practise dynamics. When the event arrives, we can use the time to work on expression and the finer points of performing to a high professional standard. That relies on every ringer taking personal responsibility before the event. It’s such a wonderful feeling to attend an event knowing that you can rely on your neighbors to know the music thoroughly before the first rehearsal even begins.
Treble sectional rehearsal at this year’s Bay View Week of Handbells
The Bay View family
For us, one of the real highlights of the Week of Handbells is that it’s about so much more than just the music. The music is hugely important, of course, but so is the incredible feeling of friendship and fellowship that comes from returning to a place you love, and sharing that space with so many familiar people who have started to feel like family to us. The changes to the sign-up process for this year’s event meant that there were more first-time participants than usual. We admit to feeling heavy-hearted that some of our friends weren’t able to attend this year. There are some people who, for us, seem to belong at Bay View, and we felt their absence during the week. Having said that, we were also new to the event not so many years ago, and it’s important to welcome new participants and to hope that they, too, will soon feel part of the Bay View family. One of the great new developments this year was the introduction of a tuition scholarship for a young adult ringer.
New at Bay View – position captains
Another change this year was the introduction of “Position Captains” – a group of Bay View alumni responsible for going through the music and suggesting solutions and strategies for difficult passages, communicating with ringers, and responding to questions, in an effort to make this year’s practice go more smoothly for everyone. Carla had the opportunity to coordinate the Position 7 team this year. Despite the initial stress of having to start working on the music eight months before the event, it seemed to be a real advantage to correspond with a team of ringers and coordinate bell-sharing and ideas for those “possibly-impossible” measures in the weeks and months before we all arrived in Petoskey. The responsibility for practice still lies with each ringer as an individual, of course. However, this year it felt good to be part of a supportive team, working together to reach a shared goal.
Position 7! Plus a few extras, because Carla is a bell-hog, of course.
Skilled conducting makes a difference
Another thing that makes the Week of Handbells so special is the opportunity to perform under the baton of a really inspiring director. The event was established in 1978 by Don Allured, who passed the baton to Carl Wiltse in 2002. Fred Gramann took over as director in 2018, and did not disappoint. With his attention to detail and skilled conducting, it’s not surprising that he is in demand as a handbell director for events all over the world.
With Fred Gramann at the 2016 Week of Handbells
Exciting and challenging repertoire
The repertoire for the Bay View Week of Handbells is always challenging and rewarding. Favorites from this year’s concert program included Catherine McMichael’s Celtic Queen, Fred Gramann’s Prelude on Herzliebster Jesu and Michael Joy’s Proclamation (so much fun for the AB5 ringers!) Larry once again had the honor of being part of the Deep Pit team for this year’s event. He played the aluminum bells that are so exciting to watch during the Thursday evening concert.
The Deep Pit – bass bells at Bay View!
The concert on Thursday evening was an exciting event, where we all reaped the rewards of all the hard work we’d put in during the rehearsals, and in the weeks and months leading up to the event. With just the right mixture of “celebration” (including Doug Benton’s composition Alluredia, the Donald E. Allured Composition Award piece) and “dance” (including Charles Peery’s audience-pleasing arrangement of Love Will Keep Us Together) the audience and musicians really enjoyed the evening.
Together outside the John M Hall Auditorium – before the concert
Bay View is such a beautiful location
The Week of Handbells takes place in a beautiful part of Michigan. Bay View is a National Historic Landmark community, founded in 1875 and owned by the United Methodist Church. There are more than thirty public buildings on the campus, two inns and more than 400 cottages. This year, for the first time, we stayed in one of the cottages, and it was so convenient to be able to walk to and from rehearsals each day. Our cottage was just a short walk from the lake. On our first evening there, we went to the beach to watch the sunset together. What could be more beautiful than this?
Of course, anyone who knows us well… will also know that we take every possible opportunity to look for Petoskey stones while we’re at Bay View. The Petoskey stone is the official Michigan State Stone. It’s a fossilised coral – Hexagonaria percarinata – that lived in the warm Michigan waters around 350 million years ago. We found some on the beach while we were watching the sunset, and a few more after the Farewell Breakfast on Friday morning.
Cladopora (left) and Petoskey stones. Carla waded into the lake to get these!
We hope to be back next year!
We’re always sorry to have to leave Bay View when the Week of Handbells is over. Now that we live in Michigan, though, the goodbyes are less painful. When home is just a few hours’ drive away, a temporary farewell is much less traumatic. We hope to be back at next year’s event!
Note: The Bay View Week of Handbells Mission Statement (as stated on the Week of Handbells website) is: “The Bay View Week of Handbells exists to give advanced ringers an opportunity to prepare a concert to be performed at a high professional level.”
We had lots of fun with the Area 8 BronzeFest choir at the “Bring It! Ring It!” Festival in Omaha, Nebraska. One of the highlights, for us, was having the opportunity to hear three of Larry’s original handbell compositions performed live; two of them for the first time ever!
Our thanks go to the members of the HMA Area 8 BronzeFest Ensemble for all the hard work they put in before the event, so that we could make the most of our limited rehearsal time together. Here are the three original compositions that were performed at the concert:
This piece was inspired by a certain sign that we used to drive past when we were living in California, and it’s fun to play! It’s not crazy-difficult either; the rhythms are easy to pick up, and everyone seemed to enjoy it – including the bass ringers! The cajon part was written and performed by Alex Guebert.
“Rescue does not occur only through great violence and clamor; sometimes it is a candle seen from the midst of terrible darkness”.
Larry wrote this piece fairly recently, and dedicated it to Carla. We didn’t manage to get a recording from the BronzeFest concert performance, but this “work in progress” rehearsal video will give you a good idea of how it sounds. This sensitive piece was well received at its first performance, and the sheet music is now available from Choraegus.
This piece was written in 2015, for the Siskiyou Summit Handbell Conference in Ashland, Oregon, where it received its first performance. There should have been a recording of that performance, but between us we failed to make it happen. Carla pushed the “on” button on the video recorder five minutes before the performance, to make sure it didn’t get forgotten. A minute before the performance, Larry pushed the “on” button, effectively turning off the camera and making sure that there would be no recording. Booooo.
Anyway, we also failed to get a recording from the Area 8 BronzeFest concert. We did manage to get a video of one of the rehearsals, though. There were a few glitches, but you’ll get the idea. Thanks to Lily Acatina, who stepped in to sight-read the trumpet part on keyboard at this rehearsal.
This piece is also available for purchase and download from Choraegus.
BronzeFest at the HMA Area 8 Festival in Omaha, Nebraska – June 2018
At the HMA Area 8 Festival in Omaha, we told lots of people: “You’ll find all that information on our website!” We’ve now put all the information together in one place, to make it easy to find.
Bass Handbell Techniques
If you were at Larry’s class on Bass Techniques, or Bass Layout/Teamwork, and you’d like to learn more, you can find out everything you need to know and more by reading The Bass Ringer’s Notebook. This book is available for purchase from Choraegus. If you order a copy, wherever you are, you’ll be able to hear us rejoicing here in Michigan. We’ll lovingly package up your book, and will make a special trip to the Post Office to mail it to you. Truly, we will appreciate you forever. If you missed Larry’s classes, maybe it’s even more important to buy his book!
The Bass Ringer’s Notebook – 2nd Edition. So much prettier than the 1st edition!
British-Style Four in Hand Ringing
If you went to one of Carla’s British-Style Four-in-Hand classes, and your hands forgot everything the minute you left the room, or if you missed the classes but still have some curiosity about this strange alternative multiple bell technique – do not fear. You can find more information (with extra pictures) in this detailed article on our site. If you’re wondering where you can find that free download of Happy Birthday to practise your newfound skills without spending any money, you can find it here!
Adventures in 8-Bell Music
If you enjoyed our 8-bell music class on Saturday morning, or if you missed it and would like to know more, you can find lots of 8-bell music available for purchase from Choraegus. Please note that our sheet music is designed to be downloaded and printed out by YOU. We recommend reading our step-by-step guide to make the process easier. Don’t sit and wait for the music to arrive by mail, because it won’t reach you that way. Once you’ve purchased the music, you are allowed to print out a certain number of copies for your group. Don’t pay for more copies than you need!
Questions about anything in our classes?
If you have questions about anything you heard in any of our classes, or anything you wish we’d covered, or problems with any of the techniques we demonstrated, you’re always welcome to get in touch with us.
Our 8-Bell Duet Concert
Many of the pieces we performed at our lunchtime concert on Friday are available for purchase and download from Choraegus. A few of the pieces haven’t yet been published – for example Creator of the Stars of Night and Calliope House. However, we plan to make them all available before the end of this year. We’re hoping to get new Advent and Christmas pieces published by the end of August, once we’re back from our annual trip to the Bay View Week of Handbells.
We had so much fun at the HMA Area 8 festival! Several people asked us if we’re available for further concert performances, and events such as worship services and weddings. The answer is yes, we are, so if you’re interested in booking us for an event in the future, please contact us!
Our 8-Bell Duet Concert at the Area 8 festival
BronzeFest
We had a great time with the Area 8 BronzeFest Ensemble – Larry directing and Carla playing. Three of the pieces performed in the concert were original compositions written by Larry. You can find A Minor Crash, Rescue and The Final Crossing on our music site, along with many other compositions and arrangements for handbell choir. We’re also pleased to be able to present Susan T. Nelson’s beautiful Elysium, which was also performed by the BronzeFest Ensemble.
Any questions about our music?
If there’s anything you’d like to ask, please contact us, and we’ll be happy to help!
We enjoyed our trip to the Area 8 Festival in Omaha!
The last time we’d been in Omaha was for the River City Radical Ring in 2013. We were very happy to be invited back to direct, perform and teach at the 2018 event. Besides, what’s not to love about a 600-mile road-trip?
Larry just loves a road trip!
Lots of driving!
The journey from Holland, Michigan took us more than ten hours, and we were glad we’d decided to travel the day before the festival! We arrived in Omaha in plenty of time to enjoy an evening concert by Rezound! Handbell Ensemble before settling in for the night.
We made it to Omaha!
Music and classes at the Bring It! Ring It! festival
The festival began on Thursday. Larry was looking forward to directing the BronzeFest ensemble, preparing for a Saturday afternoon concert. The chosen pieces for BronzeFest were: Festival Sanctus (Cathy Moklebust), Elysium (Susan T. Nelson), Rescue (Larry Sue), Sympatico (Jason Krug), Song of the Flowers (Kevin Mazimas Ko), The Final Crossing (Larry Sue) and A Minor Crash (Larry Sue).
With repertoire like that, there was work to do, but it was wonderful to see how well prepared the BronzeFest participants were. It meant that we could use our limited rehearsal time together to do more than just learn notes. Much progress was made between the first rehearsal on Thursday and the concert on Saturday.
The Area 8 Board of Directors had done a great job of organizing for festival participants to be able to attend a wide variety of classes in addition to rehearsals. There were classes with such titles as “Processionals”, “In-Depth Score Study”, “If Bells Grew on Trees” and “There’s More than One Way to Peel a Banana”. Carla taught several classes on British-Style Four-in-Hand Ringing, and Larry taught classes on Ringing Bass Bells and Bass Bell Layout.
One of Larry’s Bass Handbell Techniques classes
A concert by Timbré from California
Thursday ended with a banquet for all festival participants, followed by a concert presented by Timbré, a lyrical percussion ensemble based in Southern California. Their program, entitled “She Dreams the Stars” featured poetry, live and electronic music, and dance, telling the story of a young woman on a journey of discovery. The show was entertaining and thought-provoking, the costumes were sparkly, and it was good to see our friends from Timbré again. Some of them had played handbells at our wedding in California back in 2012!
Timbré – She Dreams the Stars
Our handbell duet concert
Friday was the day of our own 8-bell duet concert. We’d chosen some of our favourite pieces from the repertoire we’d used for the opening concert at the Area 5 Festival on Mackinac Island earlier this year.
Our 8-Bell Duet Concert at the Area 8 festival
The pieces we played were: Creator of the Stars of Night, Holy Manna, Immortal, Invisible, God Only Wise, What Child Is This, Sakura, I Vow to Thee, My Country, Calliope House and To God Be the Glory – all arranged by Larry Sue, and all using only 8 bells each (but not necessarily the same eight!) We appreciated the kind and positive comments we received after our concert. It was interesting to find that there were many people who hadn’t previously imagined that so much music could be made using so few bells!
Showcase concerts
On Friday afternoon, we enjoyed a showcase concert – by Des Moines Concert Handbells (directed by Patrick Gagnon) and A Lovely Shade of Blue Handbell Duet. Lauren and Eric are skilled musicians, and most of their pieces used three octaves of bells. However, their first piece was our 8-bell arrangement of Angus MacDonald’s lively slip jig Chloe’s Passion. Our only regret from the festival is that we didn’t find a few spare moments to try playing it together as a double duet!
Yay! Two handbell duos in the same place!
Adventures in 8-bell music!
Saturday was the final day of the festival. Our day started at the ridiculously early time of 8:00am, so we needed coffee for our “Adventures in Eight-Bell Music” class! We enjoyed introducing people to the idea that it’s not always necessary to use dozens of bells to make music that’s worth listening to.
Larry directs a read-through of “Kingsfold” at our 8-Bell Music class on Saturday morning
We enjoyed a HymnFest presented by River City Ringers, directed by Joyce Miller. The group had commissioned a piece from Cathy Moklebust in Joyce’s honor, and had somehow managed to rehearse it in secret. What a wonderful surprise that turned out to be!
After one more rehearsal, it was time for the BronzeFest concert, which was so much fun! All seven pieces went well, and we think (hope!) everyone enjoyed the experience. Here’s a recording of the final piece in the program – Larry’s original composition A Minor Crash:
Special thanks go to Alex Guebert for writing and playing a cajon part for A Minor Crash, and to Lily Acatina, who stepped in at the last minute to sight-read the trumpet part in The Final Crossing on keyboard. Both these musicians are members of Timbré, and we appreciated their willingness to share their talent at short notice.
The final festival concert
After the BronzeFest concert, we had just one more class each to teach, then we were free to relax at the Festival Concert, directed by Tim Waugh and Barbara Meinke. The festival participants performed a varied concert of music ranging from O Worship the King (Michael Mazzatenta) to the Sesame Street Theme (Michael Glasgow) – and we enjoyed it all! The concert was accompanied by the buzzing of various audience members’ phones, as flash-flood warnings appeared and thunder rumbled overhead! We finished the evening with a reception and an opportunity to catch up with some of the friends we hadn’t seen for a while – including Tim Waugh. He and Carla had previously met at a handbell event in England in 2009!
With Tim Waugh at the end of the festival
Thanks to everyone involved!
Our thanks go to the Handbell Musicians of America Area 8 Board for inviting us to be part of this wonderful event. Thanks also to everyone who participated in the BronzeFest Ensemble or attended our classes. We felt very welcome as visitors to HMA Area 8. We hope we won’t have to wait another five years before we make it to Nebraska again!
We’ll be presenting a short 8-bell duet concert on Friday, June 29th at 12:00pm, at Bring It! Ring It! – the 2018 Handbell Musicians of America Area 8 Festival in Omaha, Nebraska. We only have half an hour at lunchtime for this concert, so we’re including just a few of our favorite pieces. There will be a mixture of well-loved hymns, traditional melodies, and an Advent carol thrown in, even though it’s completely the wrong time of year for it. Here’s the program!
If you can’t be at the concert…
We hope to see you at the concert! If you won’t be at the Area 8 Festival, you might enjoy our YouTube channel, where you’ll find lots of our handbell duets.
Alternatively, why not consider hosting a handbell concert? We can bring a concert of handbell duets to your church, and combine it with playing during a worship service. When you book us for a concert, we take up less room than a traditional handbell choir, and we bring everything we need with us. We have a wide repertoire of hymns and traditional tunes to entertain your audience. Take a look at our reviews, and contact us if you’d like to book us for your event!
We’ve read that Chinese Guardian Lions have mystical powers of protection. For many years, they have traditionally stood in front of Imperial palaces, government offices, temples and the homes of high-ranking members of society. You’ll find a pair of them in the Terrace Room at Grand Hotel on Mackinac Island, Michigan. We were there recently, for the Handbell Musicians of America Area 5 spring handbell conference.
In Western society, people often refer to these lions as “Foo Dogs”. We’re not sure that they’ve mastered the techniques needed to play bass handbells. They lack a certain flexibility, it’s true. But who cares about that, when they’re so golden, so mystical, and so protective and wise?
Totally scientific research
From our detailed research at Grand Hotel, we’re confident that this one would definitely recommend The Bass Ringer’s Notebook. It’s the ultimate guide to playing bass handbells. Have you bought your copy yet?
Any questions?
If you need more than just a recommendation from some Chinese foo dogs, Larry will be happy to give you more information. If you have questions about The Bass Ringer’s Notebook, please contact us and we’ll be happy to help!
It was an honor for us to be invited to be guest artists at the Handbell Musicians of America Area 5 Spring Festival on Mackinac Island. We were excited to go back to the island! We’d only visited a couple of times before – in 2010 and 2013 – and hadn’t stayed for more than a few hours.
No cars on Mackinac Island!
One of the unusual things about Mackinac Island is you can’t drive your car there! Motorised vehicles have been banned since 1898. For this reason, our journey there began by parking our car in Mackinac City and taking the ferry across to the island.
Grand Hotel on Mackinac Island – seen from the ferry!
Being West Michigan’s smallest handbell choir has its advantages. We didn’t need to transport tables, foam pads and multiple cases of bells over to the island. We had just one handcart loaded with our equipment, and we pushed it all the way from the ferry dock, up the hill to Grand Hotel.
On our way to Grand Hotel for the Handbell Musicians of America Area 5 Festival!
We arrived at Grand Hotel on Thursday morning and the staff instantly made us welcome. The hotel hadn’t officially opened for the 2018 season yet. We were fortunate to be able to stay there and enjoy the very special and unique atmosphere. We were also able to observe some of the preparations as the hotel staff prepared for the first guests of the season to arrive. The hotel has 393 guest rooms, and each one is decorated in its own individual style. If you like flowers (particularly geraniums), you’d love Grand Hotel!
Our room at Grand Hotel!
A handchime workshop at the school
Thursday afternoon’s adventure involved some handbell education! We went to Mackinac Island Public School, where a group of us presented a program of music on handbells, flute and keyboard. The event was coordinated by Martha Matthews, with Gary Matthews playing keyboard. Members of the Area 5 Board were also there, to supervise the students with the sets of chimes.
The students were each given a color-coded handchime to play. They were able to play chords to accompany “Amazing Grace” and “Jingle Bells”, with the aid of a chart showing coloured dots. It was wonderful to see the enthusiasm of the students as they played. For most of them, it was their first opportunity to play these instruments. They did very well, learning how to use the correct techniques for playing the chimes and stopping the sound afterwards.
We demonstrated several of our handbell duets for the students. Martha and Gary joined us to perform Silver and Bronze(for handbells and flute) and Ding Dong, Merrily on High(for handbells and piano, with additional soon-to-be-published flute part).
Performing for the students at Mackinac Island Public School
The festival begins!
Friday marked the start of the festival, and we enjoyed a wonderful evening meal at the hotel before performing the opening concert in the beautiful theatre there.
Here’s the list of pieces we played at the opening concert!
Performing a concert for an audience of “handbell people” can be an intimidating experience. There’s definitely some additional pressure involved when performing in front of people who know about handbell stuff! However, handbell people are, in general, a friendly and supportive group. We felt much more relaxed than we’d expected to during our concert. Afterwards, we were pleased to receive some really nice comments from audience members.
Teaching about 8-bell music
On Saturday morning, we had the opportunity to teach a class on 8-bell music. We were pleasantly surprised by how many people arrived for the class! We answered questions about our music, specific techniques involved in playing it, and how to buy our sheet music online. Participants enjoyed played some simple pieces such as Aura Lee, Kingsfold and The Water is Wide. Finally, they tried the more challenging I Saw Three Ships.
Our eight-bell music workshop at Grand Hotel. Did we mention the weekend involved lots of coffee?
Other classes at the festival
During the festival, participants had the chance to attend other interesting classes, such as Artistry and the Big Box of Crayons: Techniques for a Variety of Tone Color and Handbells: a Full-Body Sport, both led by Martha Matthews, Maori Sticks, led by Susan Oxley, Music Theory, led by Ann Wood, and Finale and Handbells, led by Judy Phillips. There was also FredChat – an opportunity to chat with guest conductor Fred Gramann. We enjoyed a fascinating tour of Grand Hotel, where we were able to find out more about the building and its history. We even saw “behind the scenes” in the impressive kitchen!
The closing concert
Throughout the weekend, rehearsals continued in the Grand Hotel Theatre, as the festival participants prepared five pieces, ready to perform at the closing concert. The massed ringing pieces were Acclamation in G Minor (Karen Thompson), Within the Darkest Night (Derek Hakes), Hosanna (Jason Krug), What Child is This (Brenda Austin) and Jubilation (Fred Gramann). Fred Gramann conducted the festival choirs during rehearsals and at the closing concert.
Festival choirs rehearse under the baton of Fred Gramann
Fred Gramann at the closing concert at the 2018 Area 5 Spring Festival
The closing concert was well attended, with audience members coming from Grand Hotel and the island. Afterwards we spoke to several people who had never heard handbells before, and wanted to hear more!
Leaving the island
We’d have liked to stay longer on the island, but we were playing duets in a worship service in Harbor Springs the following morning. We’d made plans to travel back on the 6:00pm ferry to Mackinac City. Before we left, though, we had time to walk for a while and admire the scenery. We followed a trail of steps, thinking it would lead to a beach. Maybe it would have done, but before we reached the bottom of the steps, the ground was covered in a thick (and sloping) layer of ice. It seemed that winter was as reluctant to leave the island as we were!
Enjoying a walk on the island after the festival
Handbells and equipment leaving the island
It was fun to see the handbell equipment at the Shepler’s ferry dock. Transporting bells, chimes and foam pads is an interesting challenge on an island that doesn’t allow cars. All the equipment had to come to and from the hotel on horse-drawn transport, and it was transferred onto luggage carts to be loaded onto the ferry. Our own equipment was much more manageable, and we were able to wheel our handcart onto the ferry ourselves.
Handbells and foam pads ready to go onto the ferry. Our own equipment is in the foreground.
Thanks to all at HMA Area 5
We had an amazing time at the Area 5 Spring Festival on Mackinac Island. Grand Hotel is a dream location for any conference or vacation. It’s a fascinating place, full of history, with people who go out of their way to make guests feel cared about. Our thanks go to the Handbell Musicians of America Area 5 for inviting us to be guest artists at this event. We appreciated the opportunity to stay at Grand Hotel and share our music with other handbell musicians and students on the island. We hope to go back there again someday!
We recently celebrated our 5th Wedding Anniversary. What better way to celebrate than by spending a day at a handbell festival? First Congregational Church in Saginaw hosted a Fall Handbell Festival – Ringing in a New Season, and invited us to take part in the fun.
First Congregational Church – the venue for the handbell festival
Someone somewhere forgot to push the “It’s the fall season now!” button. That meant the weather was hot, hot, hot! Around 40 intrepid handbell musicians from churches around the area attended. We gathered together in a very warm church to rehearse and perform under the baton of world-renowned pianist and composer Catherine McMichael. Catherine had written two original compositions for the event, and Dr. Quincy Dobbs was there to play the organ.
Handbell workshops with bass and treble bells
Larry enjoyed the opportunity to get his hands on some bass handbells again. He led workshops for festival participants to find out more about bass bell techniques. Carla led well-attended workshops exploring some of the techniques and challenges involved in playing treble bells. We all enjoyed discussing the merits of various multiple bell techniques. Some of the treble ringers worked on weaving a series of bells without crossing their arms! That can be a challenge, but everyone did very well.
Our friend Kim Finison from Lansing (we know him from the Bay View Week of Handbells!) was on hand to help with handbell maintenance and repairs. We all enjoyed a wonderful lunch and great hospitality.
Larry enjoyed the opportunity to play bass bells again!
Thanks to all involved in making this festival happen!
We had a very enjoyable day at the festival. Our thanks go to Jeri at FCC and everyone involved with the huge task of organising the event. We hope to do it all again someday!
We’re excited to be able to share a video of the world premiere of Larry’s original composition Coronation and Triumphant Exultation. The video is from the 2017 Bay View Week of Handbells, here in Michigan.
The Week of Handbells is an annual event; always one of the highlights of our year. We’ve been attending together since 2010. The Thursday evening concert is always an exciting experience. The musicians work hard for months beforehand, and it’s a thrilling concert to be part of. This video is part of the full concert recording by Pierpont Productions.
This piece is the 2017 Donald E. Allured Original Composition Award piece. Larry dedicated the piece to Maestro Carl Wiltse, who directed the Bay View Week of Handbells for fifteen years. Here’s a photo of us with Carl. Yes, he’s a lot taller than we are!
With Maestro Carl Wiltse at Bay View Week of Handbells 2014
Any questions?
If you have any questions about this piece, please contact us, and we’ll be happy to help. We hope you’ll enjoy playing this piece!
